{"id":1050,"date":"2022-09-27T19:34:50","date_gmt":"2022-09-27T22:34:50","guid":{"rendered":"https:\/\/jornalsaopaulonews.com.br\/?p=1050"},"modified":"2022-09-27T19:34:50","modified_gmt":"2022-09-27T22:34:50","slug":"7a-mostra-de-cinema-chines-de-sao-paulo-traz-filmes-que-quebram-barreiras-e-estereotipos-culturais","status":"publish","type":"post","link":"https:\/\/jornalsaopaulonews.com.br\/en\/7a-mostra-de-cinema-chines-de-sao-paulo-traz-filmes-que-quebram-barreiras-e-estereotipos-culturais\/","title":{"rendered":"7\u00aa Mostra de Cinema Chin\u00eas de S\u00e3o Paulo traz filmes que quebram barreiras e estere\u00f3tipos culturais"},"content":{"rendered":"<p align=\"center\"><strong><span style=\"font-size: small;\"><b>***na programa\u00e7\u00e3o, a segunda maior bilheteria internacional de 2020, in\u00e9dito no Brasil, \u201cOs Oitocentos\u201d de Guan Hu<\/b><\/span><\/strong><\/p>\n<p align=\"center\"><strong><span style=\"font-size: small;\"><b>*** filmes exibidos e premiados em festivais consagrados como \u201cAs Galochas de Wangdrak\u201d, de Lhapal Gyal, indicado ao Urso de Cristal no Festival de Berlim<\/b><\/span><\/strong><\/p>\n<p align=\"center\"><strong><span style=\"font-size: small;\"><b>***evento acontece de 02 a 13\/ 10 no Centro Cultural S\u00e3o Paulo| Entrada Gratuita|<\/b><\/span><\/strong><\/p>\n<p align=\"center\"><strong><span style=\"font-size: small;\"><b>Totalmente Presencial<\/b><\/span><\/strong><\/p>\n<p style=\"font-weight: 400;\">Com o tema \u201cChina \u2014 luzes e sombras, sons e sonhos\u201d, a 7\u00aa Mostra de Cinema Chin\u00eas de S\u00e3o Paulo acontece de 2 a 13 de outubro, TOTALMENTE PRESENCIAL E GRATUITA, no CCSP (Centro Cultural S\u00e3o Paulo). O evento apresenta \u00a0nove filmes contempor\u00e2neos, a maioria in\u00e9dito no Brasil, divididos nos panoramas \u201cPaisagem Humana e Hist\u00f3rica\u201d, \u201cPaisagem Urbana Contempor\u00e2nea\u201d e \u201cPaisagem \u00c9tnica e Regional\u201d.<\/p>\n<p style=\"font-weight: 400;\">Com curadoria de Shi Wenxue, mestre em Ci\u00eancias do Cinema pela Academia de Cinema de Pequim, e\u00a0 Lilith Li, que coordenou o Festival Internacional de Cinema de Macau, os longas trazem narrativas multidimensionais que quebram barreiras e estere\u00f3tipos culturais. \u201cS\u00e3o obras que retratam o nosso tempo e a nova gera\u00e7\u00e3o em hist\u00f3rias cheias de verdade e sentimento numa perspectiva genuinamente chinesa\u201d, observam os curadores.<\/p>\n<p style=\"font-weight: 400;\">Abre a 7\u00aa Mostra de Cinema Chin\u00eas para o p\u00fablico, no domingo (2.10), \u00e0s 16h , o filme \u201cChaogtu e Sarula\u201d de Wang Rui, vencedor dos pr\u00eamios de melhor dire\u00e7\u00e3o no 33\u00ba Golden Rooster Film Festival e Melhor Contribui\u00e7\u00e3o Art\u00edstica no 32\u00ba Festival Internacional de Cinema de T\u00f3quio.\u00a0 Baseado no romance \u201c<em>A Pastora\u201d<\/em>\u00a0de Mo Yue, a obra\u00a0conta a hist\u00f3ria de um casal mongol comum, que entra em conflito quando cada membro decide seguir estilos de vida diferentes.<\/p>\n<p style=\"font-weight: 400;\">O panorama &#8220;Paisagem Humana e Hist\u00f3rica&#8221; traz o\u00a0\u00e9pico de Guerra, in\u00e9dito no Brasil, \u201cOs Oitocentos&#8221; de\u00a0 Guan Hu, segunda maior bilheteria internacional de 2020. A obra conta os feitos heroicos dos soldados da 88\u00aa Divis\u00e3o do Ex\u00e9rcito Revolucion\u00e1rio Nacional estacionados no Armaz\u00e9m Sihang durante a Batalha de Xangai que lutaram por quatro dias e quatro noites para resistir \u00e0 invas\u00e3o japonesa.<\/p>\n<p style=\"font-weight: 400;\">Ainda neste panorama\u00a0 est\u00e3o \u201cReino de Terracota\u201d de Ding Liang, Lin Yongchang, indicado para o Golden Goblet de Melhor Filme de Anima\u00e7\u00e3o no Festival Internacional de Cinema de Xangai,\u00a0 \u201cMorada nos montes Fuchun \u201cde Gu Xiaogang, que faz a sua premi\u00e8re internacional no Brasil, os\u00a0 document\u00e1rios \u201cO grande aprendizado\u201d de Sun Hong, Wang Jing, Ke Yongquan, indicado ao Pr\u00eamio China Golden Rooster de Melhor Document\u00e1rio,\u00a0 e \u201cTive a lua nas m\u00e3os\u201d de Cheng Tsun-shing, considerado um dos dez filmes mais influentes de 2020 na China e que conta a hist\u00f3ria de vida de Yeh Chia-ying ,\u00a0 grande mestra da poesia cl\u00e1ssica.<\/p>\n<p style=\"font-weight: 400;\">J\u00e1 o panorama &#8220;Paisagem Urbana Contempor\u00e2nea&#8221; exibe os t\u00edtulos \u201cAdora\u00e7\u00e3o\u201d de Yang Zi, selecionado para o Festival Internacional de Cinema de Busan (Coreia do Sul), e \u201cQuando a primavera chegar\u201d de Li Gen, indicado ao Pr\u00eamio \u201cWhite Mulberry\u201d de Melhor Diretor Estreante, baseado numa experi\u00eancia real do cineasta.<\/p>\n<p style=\"font-weight: 400;\">O panorama &#8220;Paisagem \u00c9tnica e Regional&#8221; completa a programa\u00e7\u00e3o com os filmes \u201cAs galochas de Wangdrak\u201d de Lhapal Gyal, indicado ao Urso de Cristal do Festival de Cinema de Berlim (Mostra Nova Gera\u00e7\u00e3o),\u00a0e\u00a0\u201cChaogtu e Sarula\u201d de Wang Rui.<\/p>\n\n\t\t<style type=\"text\/css\">\n\t\t\t#gallery-1 {\n\t\t\t\tmargin: auto;\n\t\t\t}\n\t\t\t#gallery-1 .gallery-item {\n\t\t\t\tfloat: left;\n\t\t\t\tmargin-top: 10px;\n\t\t\t\ttext-align: center;\n\t\t\t\twidth: 33%;\n\t\t\t}\n\t\t\t#gallery-1 img {\n\t\t\t\tborder: 2px solid #cfcfcf;\n\t\t\t}\n\t\t\t#gallery-1 .gallery-caption {\n\t\t\t\tmargin-left: 0;\n\t\t\t}\n\t\t\t\/* see gallery_shortcode() in wp-includes\/media.php *\/\n\t\t<\/style>\n\t\t<div id='gallery-1' class='gallery galleryid-1050 gallery-columns-3 gallery-size-full'><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/jornalsaopaulonews.com.br\/en\/7a-mostra-de-cinema-chines-de-sao-paulo-traz-filmes-que-quebram-barreiras-e-estereotipos-culturais\/edit-reino-de-terracota\/'><img fetchpriority=\"high\" decoding=\"async\" width=\"600\" height=\"400\" src=\"https:\/\/jornalsaopaulonews.com.br\/wp-content\/uploads\/2022\/09\/edit-Reino-de-Terracota.jpg\" class=\"attachment-full size-full\" alt=\"\" aria-describedby=\"gallery-1-1053\" srcset=\"https:\/\/jornalsaopaulonews.com.br\/wp-content\/uploads\/2022\/09\/edit-Reino-de-Terracota.jpg 600w, https:\/\/jornalsaopaulonews.com.br\/wp-content\/uploads\/2022\/09\/edit-Reino-de-Terracota-300x200.jpg 300w\" sizes=\"(max-width: 600px) 100vw, 600px\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-1053'>\n\t\t\t\tReino de Terracota. Foto: Divulga\u00e7\u00e3o.\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/jornalsaopaulonews.com.br\/en\/7a-mostra-de-cinema-chines-de-sao-paulo-traz-filmes-que-quebram-barreiras-e-estereotipos-culturais\/edit-as-galochas-de-wangdrak-1\/'><img decoding=\"async\" width=\"600\" height=\"400\" src=\"https:\/\/jornalsaopaulonews.com.br\/wp-content\/uploads\/2022\/09\/edit-As-Galochas-de-Wangdrak-1.jpg\" class=\"attachment-full size-full\" alt=\"\" aria-describedby=\"gallery-1-1052\" srcset=\"https:\/\/jornalsaopaulonews.com.br\/wp-content\/uploads\/2022\/09\/edit-As-Galochas-de-Wangdrak-1.jpg 600w, https:\/\/jornalsaopaulonews.com.br\/wp-content\/uploads\/2022\/09\/edit-As-Galochas-de-Wangdrak-1-300x200.jpg 300w\" sizes=\"(max-width: 600px) 100vw, 600px\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-1052'>\n\t\t\t\tAs Galochas de Wangdrak. Foto: Divulga\u00e7\u00e3o.\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/jornalsaopaulonews.com.br\/en\/7a-mostra-de-cinema-chines-de-sao-paulo-traz-filmes-que-quebram-barreiras-e-estereotipos-culturais\/edit-adoracao\/'><img decoding=\"async\" width=\"600\" height=\"400\" src=\"https:\/\/jornalsaopaulonews.com.br\/wp-content\/uploads\/2022\/09\/edit-Adora\u00e7\u00e3o.jpg\" class=\"attachment-full size-full\" alt=\"\" aria-describedby=\"gallery-1-1054\" srcset=\"https:\/\/jornalsaopaulonews.com.br\/wp-content\/uploads\/2022\/09\/edit-Adora\u00e7\u00e3o.jpg 600w, https:\/\/jornalsaopaulonews.com.br\/wp-content\/uploads\/2022\/09\/edit-Adora\u00e7\u00e3o-300x200.jpg 300w\" sizes=\"(max-width: 600px) 100vw, 600px\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-1054'>\n\t\t\t\tAdora\u00e7\u00e3o. Foto: Divulga\u00e7\u00e3o.\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/>\n\t\t<\/div>\n\n<p style=\"font-weight: 400;\">A Mostra de Cinema Chin\u00eas de S\u00e3o Paulo \u00e9 uma\u00a0realiza\u00e7\u00e3o do Instituto Conf\u00facio na Unesp, em parceria com o Centro Cultural S\u00e3o Paulo e a Spcine. Ela se tornou uma atividade cultural de grande influ\u00eancia e refer\u00eancia para a promo\u00e7\u00e3o e divulga\u00e7\u00e3o do cinema chin\u00eas no Brasil.<\/p>\n<p style=\"font-weight: 400;\">Programa\u00e7\u00e3o completa:\u00a0<a href=\"http:\/\/www.institutoconfucio.unesp.br\/\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=http:\/\/www.institutoconfucio.unesp.br&amp;source=gmail&amp;ust=1664393662551000&amp;usg=AOvVaw2LSokf44cHe7XByUXT0gdU\">www.institutoconfucio.unesp.br<\/a><\/p>\n<h3 style=\"font-weight: 400;\"><strong><u>Servi\u00e7o<\/u><\/strong><\/h3>\n<p style=\"font-weight: 400;\">7\u00aa MOSTRA DE CINEMA CHIN\u00caS<\/p>\n<p style=\"font-weight: 400;\">1 a 13 de outubro no CCSP \u2013 Centro Cultural S\u00e3o Paulo (Rua Vergueiro, 1000 \u2013 S\u00e3o Paulo)<\/p>\n<p style=\"font-weight: 400;\">ENTRADA GRATUITA<\/p>\n<p style=\"font-weight: 400;\">Classifica\u00e7\u00e3o Indicativa: Livre<\/p>\n<p style=\"font-weight: 400;\">Retirada dos ingressos: 1h30 antes da sess\u00e3o<\/p>\n<p>&nbsp;<\/p>\n<h3 style=\"font-weight: 400;\"><strong><u>Programa\u00e7\u00e3o<\/u><\/strong><\/h3>\n<p style=\"font-weight: 400;\"><strong>Dia 2 \u2013 Domingo<\/strong><\/p>\n<p style=\"font-weight: 400;\">15h &#8211; Chaogtu e Sarula (Chaogtu with Sarula)<\/p>\n<p style=\"font-weight: 400;\">17h30 &#8211; O grande aprendizado (The Great Learning)<\/p>\n<p style=\"font-weight: 400;\">20h &#8211; As galochas de Wangdrak (Wangdrak\u2019s Rain Boots)<\/p>\n<p>&nbsp;<\/p>\n<p style=\"font-weight: 400;\"><strong>Dia 4 &#8211; ter\u00e7a-feira<\/strong><\/p>\n<p style=\"font-weight: 400;\">16h &#8211; Quando a primavera chegar (Before Next Spring)<\/p>\n<p style=\"font-weight: 400;\">19h &#8211; O grande aprendizado (The Great Learning)<\/p>\n<p>&nbsp;<\/p>\n<p style=\"font-weight: 400;\"><strong>Dia 5 &#8211; quarta-feira<\/strong><\/p>\n<p style=\"font-weight: 400;\">16h &#8211; Os oitocentos (The Eight Hundred)<\/p>\n<p style=\"font-weight: 400;\">19h &#8211; Tive a lua nas m\u00e3os (Like the Dyer\u2019s Hand)<\/p>\n<p>&nbsp;<\/p>\n<p style=\"font-weight: 400;\"><strong>Dia 6 &#8211; quinta-feira<\/strong><\/p>\n<p style=\"font-weight: 400;\">16h &#8211; Tive a lua nas m\u00e3os (Like the Dyer\u2019s Hand)<\/p>\n<p style=\"font-weight: 400;\">19h &#8211; Os oitocentos (The Eight Hundred)<\/p>\n<p>&nbsp;<\/p>\n<p style=\"font-weight: 400;\"><strong>Dia 7 &#8211; sexta-feira<\/strong><\/p>\n<p style=\"font-weight: 400;\">15h &#8211; Quando a primavera chegar (Before Next Spring)<\/p>\n<p style=\"font-weight: 400;\">17h30 &#8211; Tive a lua nas m\u00e3os (Like the Dyer\u2019s Hand)<\/p>\n<p style=\"font-weight: 400;\">20h &#8211; Chaogtu e Sarula &#8211; (Chaogtu with Sarula)<\/p>\n<p>&nbsp;<\/p>\n<p style=\"font-weight: 400;\"><strong>Dia 8 &#8211; s\u00e1bado<\/strong><\/p>\n<p style=\"font-weight: 400;\">15h &#8211; Adora\u00e7\u00e3o \u2013 (Adoring)<\/p>\n<p style=\"font-weight: 400;\">17h30 \u2013 As galochas de Wangdrak (Wangdrak\u2019s Rain Boots)<\/p>\n<p style=\"font-weight: 400;\">19h30 &#8211; Reino de Terracota \u2013 (Realm of Terracotta)<\/p>\n<p>&nbsp;<\/p>\n<p style=\"font-weight: 400;\"><strong>Dia 9 &#8211; domingo<\/strong><\/p>\n<p style=\"font-weight: 400;\">16h &#8211; Reino de Terracota \u2013 (Realm of Terracotta)<\/p>\n<p style=\"font-weight: 400;\">18h30 \u2013 Morada nos montes Fuchun \u2013 (Dwelling in the Fuchun Mountains)<\/p>\n<p>&nbsp;<\/p>\n<p style=\"font-weight: 400;\"><strong>Dia 11 &#8211; ter\u00e7a-feira<\/strong><\/p>\n<p style=\"font-weight: 400;\">16h &#8211; Adora\u00e7\u00e3o \u2013 (Adoring)<\/p>\n<p style=\"font-weight: 400;\">19h &#8211;\u00a0 Os oitocentos (The Eight Hundred)<\/p>\n<p>&nbsp;<\/p>\n<p style=\"font-weight: 400;\"><strong>Dia 12 &#8211; quarta-feira<\/strong><\/p>\n<p style=\"font-weight: 400;\">16h &#8211; Reino de Terracotta \u2013 (Realm of Terracotta)<\/p>\n<p style=\"font-weight: 400;\">19h &#8211;\u00a0Morada nos montes Fuchun \u2013 (Dwelling in the Fuchun Mountains)<\/p>\n<p>&nbsp;<\/p>\n<p style=\"font-weight: 400;\"><strong>Dia 13 &#8211; quinta-feira<\/strong><\/p>\n<p style=\"font-weight: 400;\">16h &#8211;\u00a0Morada nos montes Fuchun \u2013 (Dwelling in the Fuchun Mountains)<\/p>\n<p style=\"font-weight: 400;\">19h &#8211; O grande aprendizado (The Great Learning)<\/p>","protected":false},"excerpt":{"rendered":"<p>***na programa\u00e7\u00e3o, a segunda maior bilheteria internacional de 2020, in\u00e9dito no Brasil, \u201cOs Oitocentos\u201d de Guan Hu *** filmes exibidos e premiados em festivais consagrados como \u201cAs Galochas de Wangdrak\u201d, de Lhapal Gyal, indicado ao Urso de Cristal no Festival de Berlim ***evento acontece de 02 a 13\/ 10 no Centro Cultural S\u00e3o Paulo| Entrada [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":1051,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[216,193,198,207],"tags":[224,62,73,69,123],"class_list":["post-1050","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cultura","category-internacional","category-ultimas-noticias","category-destaque","tag-cinema","tag-dior-couture","tag-featured","tag-entertainment","tag-music"],"_links":{"self":[{"href":"https:\/\/jornalsaopaulonews.com.br\/en\/wp-json\/wp\/v2\/posts\/1050","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jornalsaopaulonews.com.br\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/jornalsaopaulonews.com.br\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/jornalsaopaulonews.com.br\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/jornalsaopaulonews.com.br\/en\/wp-json\/wp\/v2\/comments?post=1050"}],"version-history":[{"count":1,"href":"https:\/\/jornalsaopaulonews.com.br\/en\/wp-json\/wp\/v2\/posts\/1050\/revisions"}],"predecessor-version":[{"id":1055,"href":"https:\/\/jornalsaopaulonews.com.br\/en\/wp-json\/wp\/v2\/posts\/1050\/revisions\/1055"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/jornalsaopaulonews.com.br\/en\/wp-json\/wp\/v2\/media\/1051"}],"wp:attachment":[{"href":"https:\/\/jornalsaopaulonews.com.br\/en\/wp-json\/wp\/v2\/media?parent=1050"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/jornalsaopaulonews.com.br\/en\/wp-json\/wp\/v2\/categories?post=1050"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jornalsaopaulonews.com.br\/en\/wp-json\/wp\/v2\/tags?post=1050"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}